Three Nights Ago I Read These Lines
I'm still wading through WCW's Paterson. These lines stay with me. And now it just won't rain. Old pictures of the surrounding mountains. Waiting for a big moment.
I'm still wading through WCW's Paterson. These lines stay with me. And now it just won't rain. Old pictures of the surrounding mountains. Waiting for a big moment.





BrainGate is a neural interface system that converts thoughts into computer commands.
I have read:

AND
When You Awake by Diane Ward
Titles I'd like to read:




A new retrospective of Twombly's work, Cy Twombly: Cycles and Seasons, will be on view at Tate Modern, London from June 19 to September 14, 2008.
Contributors: John Olson, Nathan Whiting, Fred Smith, Clayton Eshleman, Anna Soo-Hoo, Diane Di Prima, William Sylvester, Joe Napora, Margueritte, Curtis Faville, Marcia Roberts, Charles Plymell, Harry Brody, Cliff Fyman, Edward Butscher, Merrill Gilfillan, Jim Fay, Stephen Lewandowski, Harrison Fisher, Greg Grummer, David Miller, Kenneth Warren, Edward Sanders

Poems & Rough Drafts: Alex Galper, Benjamin Schwalke, Bernadette Mayer, Brett Evans, Cliff Fyman, Dave Brinks, David Pemberton, Edwin Torres, Eileen Myles, Fred Yannantuono, Heather Green, Jennifer Brown, Jessica Fiorini, Jim Behrle, L.S. Asekoff, Lauren Ireland, Liz Colville, Mark Wallace, Rodney Phillips, Ryan Collins, Sandra Simonds, Sarah Rosenthal, Scott Hammer, Shafer Hall, Shira Dentz, Susan Lewis, Tracey McTague, Todd Colby
Letters to the Editor: Anthony Hawley, Chris Martin, Chris Stroffolino, Claudia Lorber (Mom), Gilberto Serpentine, H.H. Horowitz, James Behrle, Jr., James Lavin, John Kingman, Julie Reid, Kat Soleil, Kevin Carollo, Lynne Hjelmgaard, Mike Topp, Pango Diner, Phil Johnson, Rachael Rakes, Rex Redchenko, Rodrigo Toscano, Stephen Ratcliffe, Susan Firer, Thadd Rutkowski, Will Edmiston, Yonina Rosenbaum, and many more. . .
Visuals: David Borchart, Elizabeth Zechel, Nikita Mikros, Sharon Mesmer, Silke Schöner, Tracey McTague, William Betts
Puzzle by: Jen Robison

From an unpublished conversation I had with one of the Bouroullec brothers in 2006:
I consider that what is clearly poetic in our work is that we make a lot of. . .we use a lot of already existing memories that lie beyond objects. Quite often for us, the choice of shape or the choice of material are really based on the interpretation that people already have of this kind of shape, of this kind of material. So, quite often we try to make things remind people of something that already exists, but what is interesting in finishing an object is that people are not at all inside, I would say, a scientific or rational understanding of what they remember or do not remember. In fact, it's more the body, it's the back back back of the mind that triggers a memory. So, is it comfortable sitting on a chair? Quite often it's more that their body tells them, you know, I like this fabric. Or, you know, I like this shape. Or this profile, I find it ergonomic. So it's really making a merge, some thing that people aren't able to describe or even to deconstruct. So, in that case, we can use the same kind of logic that is used in poetry.



A collection of papers presented at the African Literature Association Conference in San Diego in 2001. Included is an article I wrote about Ben Okri.
Cancel, Robert, and Winifred Woodhull ed. African Diasporas: Ancestors, Migrations, and Boundaries. (Africa World Press, 2008)

Access to over 5000 hours of recordings made at Naropa University in Boulder, Colorado. Click HERE to download Anne Waldman, Allen Ginsberg, William S. Burroughs, Michael McClure, Peter Lamborn Wilson, Gary Snyder. . .
Two stills from my first poetry movie, Persephone. I recently filmed one of the sixteen poems at Hopewell Culture National Historical Park in Ross County, Ohio (a) and at Mound Builders Park in Newark, Ohio (b). The prehistoric Hopewell culture was active in the Ohio River Valley from 200 BC to 500 AD.

My second spoken word album, Atelier, has been sent to the distributor.